Monday, July 28, 2014

REMINDER: Book Event August 9 11-1 at Lucky Dog Books/Lochwood! And musings, o'course

REMINDER to all DFW denizens! The Jenny Milchman World Book Tour stops in Dallas on August 9th from 11 AM to 1 PM at Lucky Dog Books, Lochwood location, in Dallas, Texas. There will be discussion and door prizes as well as refreshments. Be there or be L7. (Are you old enough to remember "L7," let alone "be square"?!) Not only will we have Jenny's new book, but we'll have Kevin Tipple and his short stories and ME . . . with both my Denise Weeks mysteries/mainstream novels and my Shalanna Collins YA fantasy/adventure books. You'll get to meet people and have fun. Come on and show up!

"It took me fifteen years to discover that I had no talent for writing, but I couldn't give it up because by that time I was too famous." ~ Robert Benchley


Here's some food for thought in case you are thinking. I don't recommend thinking, at least not in this heat, but maybe when the storms arrive, you can have a brainstorm. We can discuss this sort of thing at the book event.

What does a fiction writer do?

* provide a vivid, continuous dream about a vicarious experience
* present characters and/or situations readers can empathize with, giving them a broader base of "experience" than their own single life can provide
* allow readers to project onto their inner viewscreen a movie that they co-create with the author as dreamer, meaning that readers of books will have different experiences of the books more often than viewers of video will
* tell lies
* tell lies that people willingly suspend their disbelief for in order to learn or gain some insight from the story

Orson Scott Card writes in Characters and Viewpoint that the highest purpose of fiction is to teach readers something profound about people (paraphrase). Storytelling is archetypal, and it is a universal human occupation/obsession to hear and rehear or tell and retell stories.

Michelangelo said, "I know the creator will go, but his work survives. That is why to escape death, I attempt to bind my soul to my work."

Why *I* write? To entertain and inform, naturally. Because I hear the Muses singing, and I'm fascinated by what they send me to create with. But also for a selfish reason. So that someday after I've crossed the veil into the next world, perhaps someone will find and read one of my books, essays, or stories, and I will live again. I will be remembered unto another generation. My work is a tour of my mind. It's a way of doing a neener-neener to death, which eventually makes each of us disappear into the next world and be forgotten by this one . . . except for artists and writers. Look at those ancient Greeks who are still applauded and loved by many today who read their plays and other works.

"i don't want to disappear"

"I don't want to live forever through my work. I want to live forever by not dying."--Woody Allen


Discuss.

Thursday, June 5, 2014

Magical Mystery Book Tour Begins! Launch Party 6/14 in Dallas

Shalanna Collins' Magical Mystery Book Tour! Launch Party-Book Signing 6/14 in Dallas, Texas!

Saturday, June 14th, from 11 AM to 1 PM, there will be a launch party for *APRIL, MAYBE JUNE by Shalanna Collins*, given by Muse Harbor Publishing, held at Lucky Dog Books/Lochwood, 10801 Garland Rd, Dallas, TX 75218, 214/827-4860.

We will have wine (I can't drink it, but why can't you?), cheese tray, appetizers, and cupcakes from the best bakery in Dallas that's right next door (voted by Dallas Observer and D Magazine fans), along with entertainment including the author acting out part of a scene from the book with willing audience participants and (with luck) accompanied by interpretive belly dance troupe. Come one, come all. You'll have the chance to buy the book at a discount or WIN it. Door prizes include tote bags, T-shirts, stationery, gift certificates to Lucky Dog Books, copies of the book, a disposable (ha) video camera, and a few joke gifts. You get a ticket to the drawing just for staying to the end, and you get an extra ticket with each book you buy. Such a deal!



See you there!

Sunday, May 4, 2014

Cottonwood Art Festival, Spring 2014, Richardson, TX

Wow, it was hot! 92 degrees when I arrived (for the second time) today. (Long story; maybe later.) But it was well worth walking around and looking at all the wonderful art and scenery and PEOPLE and DOGS. I got my exercise for the day.

Don't I look as though I am about to do something mischievous?


I wish I had gotten a shot of the lady who took that one of me. I took several of her with her phone and then gave her one of my bookmarks. Hope she gets to see this blog entry!







Saturday, April 26, 2014

Free Kindle book!

Did I mention that one of my YA urban fantasy novels is up FREE for the Kindle this weekend?

CAMILLE'S TRAVELS by Shalanna Collins, my gritty, streetwise YA fantasy/urban fantasy ebook is FREE on Amazon until Tuesday.

Camille MacTavish is a seventeen-year-old runaway escaping an abusive home life with a stolen magic dragon in the pocket of her jeans. Which could be fun, if the dragon didn't attract all the wrong people. Who is after her, and why?

PLEASE take advantage of this and get your FREE book. Tell me what you think of it.

Hey, what can it hurt--it's FREE!

Camille's Travels





Wednesday, April 2, 2014

A Little Piece of Paradise on Earth--Pacific Grove, CA





I'm back from my trek to Left Coast Crime 2014 in Monterey, California. It should have been the trip of a lifetime, and in many ways it was, but . . . of course I had to get sick and miss out on some of the things I wanted to do. But I can now mark this off my list, and I accomplished my professional goals at the conference, so that's great.

Out family drove from Dallas/Ft Worth all the way across the Southwest and up Highway 1 to reach our beach house rental in Pacific Grove so that I could attend the conference. There's so much to tell you about and so much that I learned . . . but the stress of the trip (as well as the pre-trip planning and the arrangements for the house to be taken care of) caused me to break out with shingles!

I didn't know what it was until we got to Monterey and I went to the emergency room. (They are super-efficient and smart at CHOMP, and I can recommend them highly. The intake clerk asked, "Have you had chicken pox?") It's centered around my left eye, so they sent me to an ophthalmologist the next day, and I got eye drops. By the time we got home (seven days of "vacation" later and three more days driving), I was ready to see my home ophthalmologist, who diagnosed conjunctivitis and prescribed another set of eye drops. (He said my shingles seemed to be dying down, and I hope he's right--that burning across the scalp and temple is pretty rotten.) Good grief! I just can't get rested to do the things I need to do here at home, let alone for promo.

But! LOVE IS THE BRIDGE is starting a Kindle Countdown Deal this weekend!

From Friday, April 04, at 8 AM, the Kindle version will go for $0.99 (a 67% discount!) The trade paperback version will also be on SALE for $8.00. Such a deal! (I do love it when people buy the paper book, but some people prefer the Kindle versions. So long as you tell me how you liked it!)

Watch for it on Friday morning.

Love is the Bridge (Kindle download)

APRIL, MAYBE JUNE made its debut at LCC. I now have several copies to send to reviewers. I'll propose that if you will read and review the book, you can get a free copy through the mail! And if you send the link to your Amazon review to Muse Harbor Press (my publisher), you can get a discount on any other Muse Harbor book. What a deal. Try a sample (or do "Look Inside") at Amazon and see if you don't want to read more. (Remember, I write YA fantasy/adventure under my long-time 'net name, Shalanna Collins.)

April, Maybe June (Kindle edition)

I am thrilled by the great reviews APRIL, MAYBE JUNE, has received so far! I think it could really take off, if we could get word-of-mouth going. Doesn't hurt to mention it to people if you liked it (hint!)

I hated to leave such a wonderful spot, but after wrapping up the conference with the last panel, I sort of couldn't top that. See y'all at the next conference! Bring the books that you want autographed!





Friday, January 24, 2014

See you at Left Coast Crime in March! Please come!

Do you know how much fun readers/fans/writers conferences are? Combine that with the paradise that is Monterey/Pacific Grove/Carmel-by-the-sea and you really have something!



And while you're there, you can be among the first to see my new release!



MY COVER FOR APRIL, MAYBE JUNE, WHICH LAUNCHES AT THE CONVENTION

(Note that the book is by my alter ego, Shalanna Collins, who writes the YA fantasy/adventure series because of branding. I'm dual-boot like J. D. Robb/Nora Roberts and many, many other authors.)

I'll be attending Left Coast Crime (Calamari Crime) this year. At last, a family vacation of sorts combined with an opportunity to meet my editors in person, meet fans, and schmooze with other authors I've only known online. I am really stoked and looking forward to it.

The BIG NEWS is that we will be launching my new YA urban fantasy/adventure, APRIL, MAYBE JUNE! Even though it is not strictly a mystery, it has a mystery subplot. I'll be meeting up with Muse Harbor Press's Dave Workman, my editor on the project, and perhaps with others from the company. We have books, bookmarks, and tote bags to give away! I'll know more about the venue for this later on. It might even be held where we're staying--in a beach house!

I don't think that any of my books will make it to the list of nominees for the Lefty this year, but maybe next year. I hear that you should be fairly well-known, and I'm definitely not. Still, I voted in the awards. We'll see who makes the list.

The exciting part is that I'll be renting the aforementioned beach house for the week in Pacific Grove, about a mile away from the hotel. My family (hubby, Mama, Pomeranian, and probably one of my cousins who loves to sketch) will run around and have fun while I do the con, and then in the evenings I'll get to sightsee and visit the Aquarium and the beach. We haven't had a family vacation in YEARS. They are fighting me on it even as we speak, knowing how expensive it all is (and being a bunch of homebodies, except for the dog, who LOVES to travel, as if he were born with wheels), but I believe I can get them into the van and get us all there.

I hope to be on a panel or two. Even if I'm not, I will be available for meet-ups, book signings, and schmoozing. Watch for my totebags!

Here's the pertinent con info (that you could get from their site):

Starts - Thursday, March 20, 2014 11:00 AM
Ends - Sunday, March 23, 2014 02:00 PM
Where: Portola Hotel & Spa, Two Portola Plaza Monterey, CA, USA
(This hotel is sold out, but they have an overflow hotel or two, including the Marriott)
Add-on:
Writing Workshop Wednesday, March 19 with Jan Burke & Jerrilyn Farmer

Would your family like to come along? There are events especially for them! *Because we know they don't want to hear about the things writers and readers like to blather on about.*

Whale Watching Tour Tuesday March 18, 2014 9:00 AM – Noon (I wish I could do this one!)
Monterey Movie Tour Tuesday, March 18, 2014 1:00 – 5:00 PM
National Steinbeck Museum Wednesday, March 19, 2014 9:00 AM – 2 PM (We'll hit the museum at some point, as well as the Henry Miller Library.)
Big Sur Scenic Tour Wednesday, March 19, 2014 1:00 – 5:00 PM (I may skip something so I can go on this with Hubby!)

There are also free events and activities, of course. There's a voluntary hike of about three miles that you can take, starting on the trail behind the Portola Spa. Or just walk along the beach!

I hope to see you there. It's a lot of fun to attend your first convention.

Anyone have any convention survival tips? (Other than get your flu shot NOW, and bring your cell phone and tablet(s)?)

Monday, October 21, 2013

Start your book off strongly, but don't be lame!

Everyone's always talking about how a first line can make or break a book.

I can't believe that the FIRST LINE is the only thing a serious reader goes by when deciding whether a book is worth her time. It's tough for me to imagine that it's the only thing an acquiring editor or agent judges an entire novel by. I should expect that they'd give it at least a couple of paragraphs or perhaps the entire first page, on the grounds that this entire bit is the "opening" that should hook, intrigue, or at least interest you enough to get you turning more pages.

But they tell me that isn't true nowadays. The sample they download of your book (usually the first chapter or a little more) on the Kindle is going to get read if and only if they're not bored. I have had my opening lines picked over by critique partners and workshops until I wondered just how short an attention span can be.

Still, we can all agree that the first line is important. If the last line can circle back to reference it, so much the better. But let's look at various fun ways to start your book.

"It was the best of times, it was the worst of times. . . ." Um, taken. "It is a truth universally acknowledged--" No! Too many big words already. (LOL)

I like to begin with something a little philosophical. Some people get lofty and call it "a question about the meaning of life or a statement of eternal principle." Whew!

Leo Tolstoy opens Anna Karenina by writing, “Happy families are all alike; every unhappy family is unhappy in its own way.” Guess how many counseling seminars have been opened with the very same quotation?

Occasionally this can take the form of a single statement of theme. What is to come in this story? What is to be shown or demonstrated to us as we read this narrative? The theme can be in the subtext of the statement, or it can just be a straight-out declaration that makes readers go on to see if this can be proven or if it will be challenged.

"The primroses were over," begins Watership Down by Richard Adams. This may seem like a boring statement of fact, but to British readers, it did much more. It establishes the time of year and to some extent the setting (by implying that we're not in an urban environment but in the country, because the flora isn't as important as the streets of a city.) It illuminates a primary theme of the book, posing a story question by implication (what does this mean? What were the primroses indicating? Here, it establishes an ominous air if the reader is aware of the usual literary associations with primroses and the end of their blooming season. A bit obscure to the modern American readership.) The astute reader will also wonder whether the book will be mainly concerned with nature and the cycle of life as demonstrated in blooming/fading of plants. This line is echoed at the end of the novel, as well.

Whew!

Your first few lines should indicate the tone of the novel--comic, dramatic/serious, wry. You don't want to promise the reader one kind of book (suspense) and end up writing another (cozy). You should establish the mood and the color right up front. Is it a moody horror story with an ominous tone? An action-adventure that promises to move quickly enough to obscure any plot holes? This prepares the reader and sets up what to expect.

The ideal first line should do all these things:

Illuminate the theme of the book. This justifies the novel's very existence. Good luck with keeping something like this in, though, because so many readers today only pay attention to story and they want BOOMS in the opening scene, sigh.

Raise the first story question. This propels the reader forward because she wants to know the answer. Does Mary say "yes" to John's proposal, be it marriage or just living together? Does the cat catch the mouse, or does it succeed in getting under the house? A curious reader is a reader who continues to read. You must, however, make the reader care, or else the question is, "Who gives a hoot?" Momentum stays up because when you answer this story question, it raises the next story question. Note that this does not have to be a direct question. It can be implicit in the situation.

Establish the tone/mood, reveal the setting, and begin to develop the character(s) as someone interesting enough to spend 300 pages with.

Within this hook should lurk some form of the KEY to the story. Is the key a plot thing, or is it about the character's, well, character? This can be subtle or direct. Agatha Christie often put clear hints to the resolution of her mysteries in the first line or first few lines. Literary novels are notorious for this. If you can, provide the foundation for circularity or closure with the last line echoing this.

THIS IS WHY YOU DO NOT START WITH THE KILLING OR DRAGGING OF THE CORPSE OR WHATNOT. We don't yet know who we are supposed to root for, and it's boring to see the same beginning as so many other novels have. "Yeah, yeah," mutters the reader or viewer, "I get it, a murder. So WHY do we care, other than every man's death diminishes me and all that jazz?" Give us a few lines of the ordinary world so that we'll see why the murder disrupts the sleuth's life so much that he has to go investigate it.

I would caution you against a "frame" story, although those were immensely popular for years. I can't stand FRIED GREEN TOMATOES (one of my mother's faves and very big with her crowd), in part because both the novel and the film are frame stories that are simply not necessary and don't add anything for me. (I also hate the way they disposed of the abusive husband. It isn't even a little amusing.) On the other hand, a "looking back" sort of frame from a first-person narrator to establish why the tone is elevated although the narrative takes place while the POV character is still a child can work well. TO KILL A MOCKINGBIRD and A SEPARATE PEACE work perfectly with this.

Don't forget about what you began the novel with. So many books now will have a REALLY EXCITING thing happen in the opening, only to abandon it entirely and never explain what it was about. A book starts out with a mugging or explosion, but it's not related to the main story of the book, just a way to throw the hero into a panic. Don't do this!

Anyhow . . . what are some of your favorite opening lines?